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“Guilt and Finnegans Wake: From Original Sin to the Irredeemable Body,” Talia Abu (Book Launch)

The Joyce Society presents the book launch for Talia Abu’s Guilt and Finnegans Wake: From Original Sin to the Irredeemable Body, available here from the University Press of Florida. Dr. Abu will be in conversation with Sam Slote, Trinity College, Dublin.

This will be a remote event. Zoom links will be provided with RSVP (HERE)

James Joyce’s last novel, Finnegans Wake, is notorious for its complex structure and considered by many to be unreadable. Approaching this complicated book with attention to the theme of guilt, an important concept that has been underexplored in studies of the Wake, Talia Abu presents a clear and thorough interpretation that helps illuminate the book for even the most novice Joyce readers.            
 
In Guilt and “Finnegans Wake,” Talia Abu examines how Joyce portrays the evolution of cultural beliefs about morality, from the concept of a moral code set in place by a transcendental authority to an embodied morality that originates in material existence. Through close readings of the novel, Abu demonstrates that Joyce engages with guilt as it relates to the Catholic doctrine of original sin, the institution of the marriage contract, the theories of Nietzsche, and the views of Freud—including Freud’s emphasis on the physical experience as the primary aspect of being. Ultimately, Abu argues that Joyce sees guilt as a personal and unique experience and that emotions such as guilt can be reclaimed from the influence of religious and social institutions.            
 
Delving into Joyce’s representation of historical events while also analyzing Joyce’s wordplay and linguistic techniques and drawing from multiple disciplines to understand different conceptions of guilt, this book shows the importance of the theme to the form of Finnegans Wake and Joyce’s craft more broadly. Pursuing the questions and ideas that Joyce raises about guilt and morality, Talia Abu makes a case for the enduring relevance of Joyce’s work today.

Talia Abu is a lecturer at the Hebrew University of Jerusalem, where she also earned her PhD. She explores the intersections between literature, philosophy, and cultural studies, with particular focus on morality, food studies, emotions, and the discourses surrounding the body, in texts spanning from the 19th to 21st centuries. She has lectured widely on topics such as Modernism, masculinity studies, women’s writings, and Romantic poetry. She is also a committed human rights activist.

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"Ulysses: A Design History," Glenn Johnston

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May 1

"Anti-Semitism and Blackface America as Metaphor in James Joyce's Ulysses," Amadi Ozier