Join the Joyce Society and Elevator Repair Service for a staged reading of Exiles!

This year is the centenary of the first staging of Joyce’s Exiles in English, which happened right here in New York City, at the Neighborhood Playhouse in February 1925. To commemorate the anniversary, the Joyce Society has commissioned a staged reading of Joyce’s play by Elevator Repair Service. You may know Elevator Repair Service from their recent performance of Ulysses or from their readings at Bloomsdays with the Joyce Society at Dive 106 in the past.

Join us for our most exciting event of the year!

RSVP here.

This staged reading happens during our Exiles reading group. Sign up for the reading group here.

The Joyce Society presents the book launch for Talia Abu’s Guilt and Finnegans Wake: From Original Sin to the Irredeemable Body, available here from the University Press of Florida. Dr. Abu will be in conversation with Sam Slote, Trinity College, Dublin.

This will be a remote event. Zoom links will be provided with RSVP (HERE)

James Joyce’s last novel, Finnegans Wake, is notorious for its complex structure and considered by many to be unreadable. Approaching this complicated book with attention to the theme of guilt, an important concept that has been underexplored in studies of the Wake, Talia Abu presents a clear and thorough interpretation that helps illuminate the book for even the most novice Joyce readers.            
 
In Guilt and “Finnegans Wake,” Talia Abu examines how Joyce portrays the evolution of cultural beliefs about morality, from the concept of a moral code set in place by a transcendental authority to an embodied morality that originates in material existence. Through close readings of the novel, Abu demonstrates that Joyce engages with guilt as it relates to the Catholic doctrine of original sin, the institution of the marriage contract, the theories of Nietzsche, and the views of Freud—including Freud’s emphasis on the physical experience as the primary aspect of being. Ultimately, Abu argues that Joyce sees guilt as a personal and unique experience and that emotions such as guilt can be reclaimed from the influence of religious and social institutions.            
 
Delving into Joyce’s representation of historical events while also analyzing Joyce’s wordplay and linguistic techniques and drawing from multiple disciplines to understand different conceptions of guilt, this book shows the importance of the theme to the form of Finnegans Wake and Joyce’s craft more broadly. Pursuing the questions and ideas that Joyce raises about guilt and morality, Talia Abu makes a case for the enduring relevance of Joyce’s work today.

Talia Abu is a lecturer at the Hebrew University of Jerusalem, where she also earned her PhD. She explores the intersections between literature, philosophy, and cultural studies, with particular focus on morality, food studies, emotions, and the discourses surrounding the body, in texts spanning from the 19th to 21st centuries. She has lectured widely on topics such as Modernism, masculinity studies, women’s writings, and Romantic poetry. She is also a committed human rights activist.

RSVP (required) HERE.

The design history of Ulysses is no less interesting than its publication history. James Joyce himself was involved in the design of the Shakespeare and Company Ulysses. Some of the most creative minds of the twentieth century, including Ernst Reichl, Henri Matisse, Edward McKnight Kauffer, and Carin Goldberg, worked on subsequent editions. Just as Ulysses the novel has inspired generations of readers and writers, Ulysses the book has inspired generations of artists and designers.

Glenn Johnston is Treasurer of the James Joyce Society, a patron of the Museum of Literature Ireland, and a collector of books by and about Joyce. He has had a varied career, including stints in journalism, public affairs, and consulting. He studied Law at Trinity College Dublin.